Education

The Griffin Museum and Mary Beth Meehan are pleased to offer this advanced project development program for artists seeking to bring an existing body of work to the next level.

This advanced Atelier II is designed for intermediate to advanced photographers who already have a project in motion--an idea and passion they have begun to photograph--but who seek support in further developing and refining the work. This program is intended for artists who value growth over validation and are willing to enter the messy middle of experimentation, research, doubt, revision, and breakthrough

We invite you to a special evening of creativity, community, and support for photography and the Griffin Museum.

This year, our museum faces unprecedented challenges, and we need your support more than ever. Arts institutions worldwide are facing a critical financial crisis, and we are not immune. Your generous contribution is crucial to our survival, and it will allow us to continue to explore and showcase the ever-changing world of photography for years to come.

We have set a goal of raising $25,000 to support our exhibitions, education, programs and operations.

© Ashleigh

During this in person workshop you will learn how to make one of the most beautiful and expensive processes, platinum and pallaidum prints, which was brought into the public eye by the Pictorialist photographers. Platinum prints can range from a cool gray-black while Palladium prints usually range from warm black to very warm brown. Many people mix the two metals to cut the cost and change the tonal range to personal taste. This is a contact print process and you will need negatives the size you would like your final image to be. You will need to either bring negatives or materials for

Pre(Occupied) Landscapes aims to challenge conventional representations of the landscape in photography. Rather than treating landscapes as passive backdrops, this workshop explores them as active, layered sites where natural systems, social histories, and political forces intersect. Through lectures, discussions, a guided field exercise, and peer critiques, participants will engage with the landscape not just as a visual subject, but as a living archive of occupation, transformation, and resistance.

Learning Objectives

By the end of this workshop, participants will:

-- Understand

Join our Executive Director Crista Dix for a focused session on how to approach portfolio reviews with clarity, intention, and confidence at the year's New England Portfolio Reviews.

PORTFOLIOPREP

Designed for photographers at all stages, this program breaks down what reviewers look for, how to shape a cohesive edit, and how to speak about your work in a way that resonates.

Through practical guidance and real-world insight, Dix will address common pitfalls, strategies for sequencing and presentation, and how to align your portfolio with your goals--whether curatorial

Join our Executive Director Crista Dix for a focused session on how to approach portfolio reviews with clarity, intention, and confidence at the year's New England Portfolio Reviews.

PORTFOLIOPREP

Designed for photographers at all stages, this program breaks down what reviewers look for, how to shape a cohesive edit, and how to speak about your work in a way that resonates.

Through practical guidance and real-world insight, Dix will address common pitfalls, strategies for sequencing and presentation, and how to align your portfolio with your goals--whether curatorial

Twenty minutes to introduce yourself and your work passes quickly, so it's essential to put your best foot forward. This two-session workshop is designed to support your strategy for success. Whether you are preparing for FotoFest, New England Portfolio Reviews, or the SDN Online Documentary Portfolio Reviews, this weekend workshop is designed to help ease the pressure of the review process. Whether you are a seasoned participant or attending your first review, this information-packed workshop -- covering the value of research, conversational practice, and confident preparation -- will help

The Griffin Museum of Photography is pleased to welcome Alexa Becker for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

The Griffin Museum of Photography is pleased to welcome Alexa Dilworth for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these professionals are

The Griffin Museum of Photography is pleased to welcome Alyssa Ortega Coppelman for an exclusive series of Online Portfolio Reviews as part of our annual Publishers-In-Residence program.

Our Publishers-in-Residence program offers photographers direct, one-on-one guidance from industry professionals to refine their projects for publication. These sessions provide tailored feedback on sequencing, design, and storytelling, helping artists shape their work into compelling photobooks.

Each review is 25 minutes long and each costs $80 for members and $95 for non-members.All of these